Queen of Pentacles

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Left to right: Top row – Pagan Cats, Lumina, Wild Unknown.  Bottom row – Animal Totem, Our Tarot

Rider Waite Smith and Pagan Cats

With the RWS card, we have a queen looking demurely towards a pentacle that is resting on her knee.  Her throne is surrounded by roses, a detail echoed in the pagan cats tarot.  Similarly, both have a rabbit in the foreground, highlighting the queen’s connection to the natural world.  The rabbit also suggests fertility and fecundity, as well as creation.  In many ways the queen is a minor version of the Empress card although Rachel Pollack also likens this card to the magician, both of which I’ll be writing about at some point.

With the link to the Empress, and with the suit of pentacles, we are thinking about nature, about the everyday, about resources and things we can touch and sense.  As such, we are reflecting on nature and cycles and the rhythms of life.  Being able to enjoy nature and notice the world around us can be a meditative way of life that can enhance our experience of being here:

“the quality of life is in proportion, always, to the capacity for delight.  The capacity for delight is the gift of paying attention”
– Julia Cameron

This queen is the part of you that pays attention and is able to be present.  This means she notices and enjoys the little things that other people often overlook.  Looking at the RWS image, you could interpret her as being focused on the pentacle in a sort of meditative or appreciative kind of way but I’d like to contrast that with the pagan cats card.  The cat has her tail curled around the pentacle and the post feels like she’s much more secure in her resources, she knows they aren’t going to vanish if she isn’t looking at them.

Obviously much of tarot is about how you interpret the cards and I’m trying to guide you to see the cards in different ways so that you can feel what chimes with you.  Sticking with that cat a bit longer, we can feel into themes of trust and security, knowing that the resources we have worked hard for aren’t going anywhere.

Wild Unknown

In the Wild Unknown, the queens are mothers and the kings fathers which feels much more appropriate given there are no animals in the deck.  This deer mother is depicted next to her fawn, protective and comforting but not stifling.  She is there as a secure base and her presence allows the fawn to go out into the world.  We all need a secure base, whatever form that takes.  It might be a person, it might be a place, it might be a very literal security blanket but it is that something that helps to ground you and helps you to feel safe in the world.

Queen cards are associated with water and so that means the queen of pentacles is both water and earth, very literally she makes things grow.  She is the earth mother.  She is in flow with the planet.  She is nurturing and big hearted, loving and patient.  She is calm and caring and she is an earthly embodiment of the magic of nature.

She is generous and wants the best for all of us and wants to help us get there.  Because of this, she can get her identity wrapped up in her family and friends.

Lumina

The lumina queen is posed similarly to the RWS queen but instead of looking down, she is staring straight at the reader.  At her feet, instead of a rabbit, rests a bear.  For me, a key aspect of the bear is the duality of loving mother and angry momma bear.  She is kind but if you endanger her babies, she will attack you.  In terms of how that relates to this card, I think it’s about protecting your creations or your dreams as they start to venture out of your head and into the world.

The book talks very much about being at home with yourself and your life:

“You look at the life you have consciously created, the people within it and the activities and work you have dedicated yourself to and realise that it’s a true expression of grounded abundance and prosperity.”

To reach this stage in her life, she has had to pull on her resources but also carefully balance competing demands and ambitions in her life.  But to reach this point in life and not acknowledge it would be to miss part of the journey.  Stop, look around you, see how far you’ve come.

Sometimes the balance that this queen needs can get unsettled.  She has the potential to put others before herself; she may over-help and in turn hinder the growth of others – teach a woman to fish and all that!

Our tarot

Our tarot have chosen Catherine II, also known as Catherine the Great, to represent the queen of pentacles.  She was born in 1729 in Russia and seems to have had a complicated life and over time grew in power and wealth.  She was a strong woman and the time she reigned is sometimes called the Golden Age of Russia.  I hadn’t heard of her before I got this deck so I’m not going to say much about her, but instead will focus on the way that she reflects the essence of the card.

“She is an example of the safety one feels when one’s mother “has their back”: a mother works to keep her child’s environment safe and comfortable.”

This quote from the accompanying book reminds me of the sea serpent from the wild unknown animal oracle deck.  It also echoes the ideas we saw with the wild unknown card above.

To rise to her place in society, Catherine relied on, and used, other people and pulled on the external environment to help.  Utilise your strengths and what is around you.  Pay attention, be resourceful and don’t be afraid to ask for help.

Animal Totem Tarot

This deck selected the pig to illustrate the queen of pentacles and I’ve written already about both the pig and the boar so it might be worth checking them out as well.

“There is nothing nicer than the sun on my skin and the wind in my hair.  Time for me is the best time in the whole wide world.  No interruptions, no constant conversation, just me and whatever I need to do for myself.”

Note how the pig queen has hung up her crown for a mud bath?  This card stresses the importance of self care – make time for yourself.  You may want to help everyone out with everything but you need to take care of yourself first – think about oxygen masks on planes.  Do whatever it is that recharges and revitalises you and then care for and help out others.

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Pigs: a history of mixed feelings

“Pigs and pork have, throughout history, been used to divide and unite people”
– Pia Spry-Marques

This will be the start of a few posts on pigs, mostly because there is so much to say about them.  It is because of this that I wanted to look at the pig its own right, not just as a supplement to the boar.  In the animal totem tarot deck, the queen of pentacles is depicted by a pig and so I’m also going to do a post that focuses on that specifically.

Our history with pigs goes back about 18,000 years and starts with the boar.  Boars are the ancestors of domestic pigs with spots and stripes that helped them blend into their environment.  These vanished, their tails became curly and their ears flopped as we domesticated them. Their tusks also disappeared and our attitudes towards them changed dramatically, shifting from a devil like enemy to a vital provider.

The domestic pig was bred from eurasion wild boars about 9000 years ago in Eastern Turkey and China simultaneously (some sources suggesting there were other domestication events at around the same time elsewhere but it’s complicated stuff).  As they were adaptable, had large and regular litters, were tough and were in close contact with humans (they would raid fields) they were a good candidate for breeding compared to other types of boars.  Pigs were also important compared to other domesticated species; they like living in groups, they are adaptable and they eat pretty much anything.  This meant they essentially looked after themselves and ate what we threw away, making them important to the history of agriculture and farming.

Today, pigs are widely distributed around the world, both down to their natural wanderings and human involvement.  From steamy rainforests to dry savannas to snowy woodlands, pigs are one of the most successful mammals on earth.  Evolution and human involvement has resulted in over 500 breeds of pigs today, but it isn’t just the pig landscape that has changed because of man.  The reverse is true, without the man-pig relationship, human history could have looked very different – exploration and civilisation were aided by the pig.

“Pigs are ubiquitous in the modern world, whether we are talking about the more than one billion domesticated pigs on the planet or the countless representations of pigs and ‘piggishness’ that circulate through most of the world’s cultures… Pigs have been structurally and symbolically significant in the making of human society and culture across the globe.  Pigs have fed us, entertained us and provided us with ways to think about our relationships with each other on this porcine planet.”
– Brett Mizelle

Despite this universality, pigs suffer from mixed reviews.  Whilst they have provided us with food and have been praised and celebrated, they have also been cast out and seen as dirty and smelly.

“The persistent uncertainty about whether pigs are good or bad animals is connected to the lived relationship between humans and pigs.  These attitudes reflect a moral ambivalence about the killing of pigs and ideas about pigs themselves, both of which are often factors in conflicts between human social groups.”
– Mizelle

Pigs provided a way for different classes of society to distinguish themselves and due to the association with lower classes, the pig increasingly became ostracised as a symbol of poverty, dirtiness and slothenlyness.  Mizelle also asks whether our conflicting feelings towards pigs may arise because of our similarities.  With pigs both physically near and physiologically alike, our treatment of them may induce feelings of guilt which we then transferred to the pig.  In order to treat it as we do, to keep it confined and to butcher it, we must psychologically distance ourselves from the pig.  And we can see this clearly in how we talk; male chauvinist pigs, pig ugly, smell like a pig, greedy pig and so on…

“There is a long history of porcine proverbs that describe efforts to convert the useless to the useful, the ugly to the pretty.  The maxim ‘You can’t make a silk purse from a sow’s ear’ dates back to the mid sixteenth century.”
– Mizelle

Returning to the similarities between humans and pigs, we see also the need to distance them in order to eat them, calling the meat pork and talking of chops and bacon instead.

Pork is the most widely eaten meat in the world, with over half of it consumed in china.  Whilst I am not going to look too closely at meat, as Mizelle says:

“Different groups have consumed different cuts of pork over time, making pork consumption a useful lens into race, religion and class.”

And for more information about this, we can look to Mark Essig:

“The reputation of pork depends upon the life of the pig. In early medieval Europe, when most pigs foraged in the woods, pork was the preferred meat of the nobility. By 1300 most forests had been felled, and pigs became scavengers. In a medieval British text, a woman explains that she won’t serve pork because pigs “eat human shit in the streets.” Pigs also dined on human flesh, which was available because executed prisoners, among others, were left unburied.”

Even within the context of food, it’s clear that there are many views about pigs throughout time and space.  Stepping away from pigs as food, we have Aristotle who (despite almost certainly eating pork) called pigs “the animals most like people” because of their similarities to humans; little did he know just how alike to us they are.

Physiologically, pigs are very like humans and because of this, they play a key role in human medicine.  We have made use of them in skin grafts for burns, in making insulin for diabetics and we have pig heart valves.  Pigs have been used by medical students to practise their skill and researchers have utilised the similarities.  One horrific sounding experiment used live pigs to study the effects of atomic blasts and radiation during the Cold War.  Unfortunately for pigs, they play a life saving role in today’s medical landscape.  As pigs heal in a similar way to us, unlike rodents, they have been useful for medical experimentation.  They are also used in less obvious ways such as in gelatine for pills, in sponges used in surgery, in some blood clotting medicine and in wound treatment.

Beyond medicine, pigs are also found in make up, biodiesel, toothpaste, antifreeze, bone china, glue, in the manufacturing of train brakes and even in cigarette filters…

Whilst you might think this is all in recent history, medical experimentation using pigs actually has a long history.  As far back as ancient Greece, they were being used because human dissection wasn’t allowed at the time.  It was through a ‘squealing pig’ experiment that Galen found it was the brain, not the heart, that controlled actions and thoughts.

Pigs have proven useful and have helped to develop civilisation and scientific knowledge.  They have saved lives and we have rewarded them by casting them as dirty and smelly.  We love them and we hate them.  And I am struggling to think of any other animal which is subject to such conflicted feelings…

In later posts I’ll be looking at pigs the animals, the beliefs around pigs and I will do a post looking at the pig in the queen of pentacles animal totem tarot.

Useful resources:

The Moon

I’ve somehow managed to misplace the photos I took of the moon cards… When I find them again, I’ll add it in.  In the meantime, you can find most of them on google images if you’re interested.

RWS and Pagan Cats

Both of these cards depict two creatures looking up at the moon, standing between two pillars with water in the foreground and a crayfish.  The moon is looking down on the scene and in the distance are hills.

This moon is glowing brightly but remember that the moon doesn’t shine her own light, she reflects that of the sun, which is currently hidden. Even in the dark, the sun is still there.  Like the moon reflects the sun, the subconscious reflects the world around us – inner experiences reach the outer mind through imagination, dreams and creative practices.

The moon casts shadows and distorts what we see, there is a strangeness to the world when the moon is out, nothing is quite what it seems.  Magic and mystery slides in the space between dark and light.

On the rws card, the two moon gazers are a dog and a wolf, representing the tamed and wild sides of ourselves.

“A werewolf howling under a full moon is a vivid metaphor of the power of the unconscious to bring out something primitive and non-human in the most respectable people.”
– Rachel Pollack

In the pagan cats, we have a cat and a dog instead, perhaps also representing the tamed and untamed but in a more subtle way – it has long been said that humans tamed dogs and cats tamed humans.

According to Pollack, the crawfish (I thought it was a lobster but I defer to her wisdom) at the bottom of the image is emerging from the water but will never completely come onto land, instead falling back again.  This feels a bit like the ebb and flow of the tide, a phenomenon which is itself a lunar process.  It also echoes the just out of reach-ness, just beyond seeing-ness that can permeate the moonlit night.

“The deepest terrors are the ones that never fully take shape.  We feel something inside, but we never see just what it is.”
– Pollack

Interestingly, the cat in the pagan cats appears to be lifting the crawfish out of the water suggesting an attempt or desire to pull that elusive thing out of the unconscious and into the conscious realm.  If you’ve ever tried to remember a dream, you’ll know how futile this is!

In tarot, we see two pillars as a gateway, such as that in the high priestess card.  Here we are standing on one side, on the side of the known, with the unknown or unknowable on the other side.

Wild Unknown

Where the RWS and pagan cats depict animals between pillars, the wild unknown is animal free but does feature two tall trees reaching skywards towards the crescent moon.  The sky is dark, the trees white and the moon golden and I find the simplicity of this card interesting for such a complicated meaning.

The image is a silhouette and this reiterates some of the ideas of not seeing clearly, not seeing all that is in front of you and things being distorted in some way.  The two trees are illuminated by the moon, they are depicted in white, and it suggests to me that we are being welcomed through the gate I mentioned in relation to the RWS card.  This gateway is encouraging you in, inviting you to explore your subconscious and dream world.  Make friends with the darkness, with what scares you, with your inner self.

Carrie Mallon makes an interesting observation about the wild unknown moon;

The ground is not visible in this card. The Moon is a energy that can make it hard to catch your bearings. Up might be down or down might be left might be right. This can lead to wildly imaginative adventures…or it can lead to confusion and anxiety. In the faint light of the moon, you question what is real and what is imagined, what is beautiful fantasy and what is pure madness.”

Lumina Tarot

A moon goddess looks to the reader, an amethyst circle behind her and the symbol of pisces etched in with the other details.  The book tells us:

“This is a card of intuitive and psychic strength – strong messages and insights are coming to you through your subconscious.”

Things aren’t always as they seem; deception, confusion and distortion rule here.  Fears are ever present, but in the shadows, you can find gold.  Through shadow work you can explore the darker parts of yourself consciously.  The moon can illuminate your subconscious self and if you embrace and work with it, you can harness your innate power and work towards an illuminated self.  Going through the moon realm, you can bring light to your unconscious self and grow.  It has a different power to the sun.  The sun directly feeds and nourishes our bodies, the moon gently encourages and invites us to feed and nourish our souls, ourselves.  The moon is no helicopter mom, the moon is the mother that gives you the resources, skills and knowledge and steps aside for you to discover things for yourself.

The moon encourages us to dive deep, to dream deep and to transform.

“This card is ruled by Pisces, who is, in a sense, afraid of nothing, being one with the Universe and the Universe contains all.  Remember that when pondering your fears by moonlight: this thing that so frightens you – is it inside you as well?”
– Michelle Tea

Animal Totem Tarot

Once again, we have two trees as pillars, with an owl flying in front of a full moon, over a body of water where the moon is reflected in ripples.  The great grey owl has a message for us:

“The light of the moon makes everything look different.  The trees seem to become bigger and everything around them looms like an unknown landscape… But the truth is that nothing has changed at all – merely the way you see it has changed.”

We see the world though our own unique lenses, through our experiences and emotions and this changes what we see.  We see what we expect to see, we see ourselves reflected in what surrounds us.  What each person sees will be different, will be slightly distorted by where we see it from and which pool we see it reflected in.

“How you see the Moon is deeply connected to how you see yourself.”

Further, each night we see the same thing differently.  Each night has a different amount of light which transforms what we thought was static, the trees, the water, these things change with the cycle of the moon.

As the owl swoops across the moon, she seems to grow.  Things in the dark can seem larger than they are.  What is it that you are escalating?  What do you think is bigger that it is?  Are you making mountains out of molehills?  On the flip side, what are you refusing to pay attention to?  What are you ignoring?  What is having to make itself bigger for you to notice?

Brady Tarot

The Brady Tarot moon is very similar to the animal totem tarot – two trees frame the image, an owl is in flight in front of a full moon and a body of water is underneath.  This card however also features the crawfish.  In addition, there are two coyotes in the background, one looking out of the card and the other howling to the moon.  Looking more closely and into the darkness we also find two opossoms in the trees.

Pollack describes the crawfish as symbolising the primitive, instinctual part of our self, the deep unconsciousness, a place where fears and wildness live:

“The owl and the crawfish show us the power of wild nature.  The coyotes react to this energy, but the opossoms remind us to simply accept without fear or judgement.”

This card, more so than the others I’ve looked at, illustrates the night as a realm of it’s own.  It has its own inhabitants and it’s own way of being and it’s own way of seeing.  To understand the moon realm, we must immerse ourselves in this world, become one of the characters and feel our way into the part, intuitively.

“Imagination in action.  Instinctive energy, dreams, the unconscious rising up to affect our lives.  Deep instincts that may disturb our daily life.  Animal energy, wildness.  The part of us governed by the phases of the Moon.”
– Rachel Pollack

It would be impossible to talk about the moon without also looking to some of the common lunar associations.  The moon is also about the feminine, about fertility, creation, mystery and power.  It is about the daily tides, the monthly menstruation cycles, the seasons and all of nature’s rhythms.  The moon asks us to embrace the circularity of life, the ebbs and flows, the ups and downs and to trust in the darkness and have faith that light will return.

Our Tarot

Mary Shelley is centered in the card, a full moon in front of her and what look like two horns behind her, perhaps an echo of the antennae of the crawfish?

Of course, Shelley is famous for Frankenstein, an amazing tale of the things that can happen in the night, in the imagination and what can occur when man made monsters are released onto the world.  With this we have themes of death and rebirth, of resurrection and transformations.  We lean into what can happen in the shadows, in strange dreams and fantasy worlds.

“Her chief childhood pastime was writing – “as a child, I scribbled” – and she found her own dreams and imaginings to be far more interesting than her daily life.”

I feel like Shelley is asking us to pay attention to our dreams, both night journeying as well as hopes and goals.  She is asking us to express those ideas we find in the moon light, whether that is in writing like her or in art or science or whatever it is that makes you feel most alive.

How can you draw inspiration from the world around you?  What transformations are currently taking place in your life?  What visions are you bringing to life?

“I stand to face my shadows, I learn from them and incorporate them to give myself greater power and agency”
Jessi Huntenburg

Bighorn Sheep

“Is it time to let go of your current footing in order to end up on new and improved ground?”
– Animal Allies

 

Bighorn sheep are found in north America, and like bison, there used to be vast number of them but due to hunting and disease spread by domestic sheep, by 1900 instead of millions, there were just a few thousand left.

The depletion of bighorn sheep due to human activity has resulted in more than just fewer sheep, it has changed their behaviour.  Bighorn sheep learn to migrate from one another, passing down knowledge and wisdom through the generations.  This ancestral information takes many years to gather and can’t easily be replaced.  When migration routes are altered by human activity, or when bighorn sheep are moved because it’s more convenient for us, the sheep suffer.  It takes a lot of years to build up the detailed information they need.  It’s not just the route they need to figure out, it’s where and when the fresh shoots emerge as this gives them the best nutrition that is most easily digested.  Whilst you might intuitively expect the bighorn sheep to be following the lush vegetation, they actually ‘surf the greenery’ by anticipating it.

As well as a lesson in conservation, we can learn about valuing ancestral wisdom, about respecting and honouring our elders and about how deep knowledge takes time to build up.  This is information that goes beyond just reading or learning it, it is understanding it and embodying it.  This is a long process, one that involves building on what you have in an incremental way.  It is also a reminder about the importance of cultural preservation.

Bighorn sheep have, as I think is obvious, horns…!  Rams have long, curved horns and ewes have smaller, straighter horns.  The horns are a symbol of status amongst the sheep, as well as a useful weapon.  As with other horned or antlered animals, this suggests a link to the higher plane, to gods and goddesses, an antennae that receives messages from the other world.  This ties in with Aries, the zodiac sign which is associated with the ram and represented by the horns.  Aries is the first sign of the zodiac and is a sign of new beginnings, of new starts and of action.  It’s about diving in headfirst, about charging in and about acting without thinking.  Determination, assertiveness, and initiation are important keywords as well.  Aries is also associated with Mars, the planet of war.

And the bighorn males do use their horns for conflict.  Prior to mating, males will establish a hierarchy of dominance to figure out who gets to mate with who.  This involves rutting, horn clashing, head butting and generally facing your opponents head on.  Thankfully the rams have acquired a thick skull which protects against injury during these fights.  Thus they teach us both that there are times to face things directly, to charge in head on and also, if you are going to do this, prepare for your adversary’s response.  If you are letting your tongue go wild with insults, expect some back.  If you are giving it out, grow a thicker skin.

That said, head on battles aren’t the only way.  There are three main ways of courting; a) ‘tending’ is where you find yourself a ewe and defend her from other males; b) fighting for a female that’s already being tended and c) blocking is where you prevent a ewe from even reaching the tending area.  If you play things strategically, you may be able to minimise the amount of physical clashes you are involved with.

The terrain of the bighorn sheep is certainly worth noting here.  They live on alpine meadows, grassy mountain slopes and foothills and are incredibly well adapted to climbing steep terrain which gives them protection from predators.  Their hooves are well designed for balance and grip, making them good climbers and jumpers.  They are surefooted even on slippery, scree covered slopes and only need a small space to get a toe hold.  The bighorn can take opportunities that others can’t and do so with less risk and more confidence.  This is a reminder to us to seize opportunities, to take leaps and to trust our ability to move into new areas of life with confidence.  As Aries reminds us, this is a time to act, to move, to jump.  Don’t wait, don’t overthink this, just do it!

As prey animals, bighorn sheep have evolved to have sharp hearing, a highly developed sense of smell and wide set eyes which provide a large angle of vision.  This means that its hard for anything to creep up on them, they are watchful creatures which are constantly keeping their senses alert to danger.  This is helped by their large social groups where there is safety in numbers.

The bighorn sheep is one of the most admired creatures of the Apsaalooka, or Crow, people and they have a number of sacred myths about them.  One myth explains how bighorn sheep saved a young man, imbued him with their qualities – power, wisdom, sharp eyes, surefootedness, keen ears, great strength and a strong heart.  He then returned to his people and instructed them that the river, known as bighorn river, must not have its name changed.  If they did change the name, the crow people would be no more.  Other myths focus on the virility of the bighorn sheep and how they can be a symbol of male success in both hunting and in sexual activities.

In general, this card feels like it has a very traditionally male vibe going on.  The horns are most notable on the males, the association with aries and mars is traditionally male and almost everything I discovered about the bighorn sheep was focused on the rams.  That being said, when it came to ancestral knowledge and the passing of wisdom from one generation to another, the literature talked more about the maternal line.  I think the message this card has for you today, and the success of how you implement the teachings, will depend on whether you take these traits as separate, or whether you work to combine them together in a more holistic way.

The Brady Tarot

I’ve been so excited about getting this deck! It’s taken Emi longer than expected but when you know how much work she’s put into it and just how well designed and made it is, you don’t mind at all!  Each of the 72 cards is the result of hand carved linocuts made, printed and coloured by Emi.

As normal, I (well, a lovely carer) shuffled the deck fully and then started by pulling a single card, the daughter of roots. Throughout the rest of the day I picked the deck back up and repeatedly drew the daughter of roots again and again.

The deck comes in a beautifully crafted wooden box with slide like, magnetic catch and carvings on the sides. The accompanying book fits neatly in the box and is written by the esteemed Rachel Pollack.

Having worked with them a little time, I know that each card contains many levels of meaning. Unpick one and you’ll find another. I love this because it gives the deck longevity. However much you think you know it, you’ll discover more, much like the wild unknown tarot. It is because of this that I am referencing the book more than I normally do these days.

Emi has chosen which plants and animals feature on her cards very carefully and it’s easy to overlook some of the nuances help in the image unless you know about North American flora and fauna.

My key tip for working with this deck is to look closely.  The details and subtleties aren’t there by accident.  Use the book and let Rachel guide your eye whilst you get used to how Emi has translated the cards for this deck.  Also, horns are cups, feathers are wands, roots are pentacles and arrows are swords.  The border for each suit is different which can give you a quick idea at a glance of what you’ve drawn.

Page of Pentacles

I got a new deck last week and the only card I’ve pulled has been the daughter of roots, equivalent to the page of pentacles.  I’ve pulled it so many times that I feel as if it’s trying to hit me over the head with a message that I am just not getting.  So, I thought I’d write a blog post and see if that helps me to figure things out!  Given the insistence of this card, I’m going to have a look at all the decks I own so this will be a much more detailed, and longer, post than my normal tarot ones.

Some keywords, just in case you don’t want to read over 2000 words…:

learning * practical * planning * opportunities * focus * responsible * slow and steady * taking the first step * experience * curiosity *

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Left to right: Wild unknown, pagan cats, animal totem tarot

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Left to right: Brady Tarot, Lumina, Our Tarot

Rider Waite Smith and Pagan Cats

If you’ve been reading my blog a while, you’ll know I don’t like the RWS deck but I do acknowledge it can hold some interesting takes on cards.  My closest deck is the Pagan Cats and I prefer this non human take although it does still have some of the aspects of RWS that I find problematic.  In previous tarot card posts, I’ve considered these two decks separately, but in order to try and achieve some conciseness here, I’m going to merge them.

Both cards have a figure standing in a field, trees and mountains in the background and a yellow sky taking up much of the scene.  The human figure of the RWS card stands tall in the centre, a golden pentacle balanced on or just above his hands.  The cat again is dominant in the image, taking up a lot of space on the card, and is sitting with a forepaw resting on a pentacle.  Her eyes are watching it intently and she seems to be focused on the pentacle to the exclusion of her surroundings.  Michelle Tea describes the figure in the page of pentacles as being meditative, as transfixed by the pentacle and says that “extreme focus is the way to go when the page of pentacles pops up”.  This student is fully immersed in their studies, fascinated by what they are learning and discovering.  They are putting in the work for the pleasure of the work, not for the status or acknowledgement or prestige that might come from it.

I like that both characters are placed in the landscape as the pentacles are about earth and land and the physical side of the world.  Both feel very steady and surefooted despite having the naivety of youth and a tendency to stumble that comes from inexperience.

For the Pagan Cats, the little white book reads: Someone who is learning something about the physical world, resources, or finances.  We can see that the pentacle itself is representative of a resource, of money or some other thing that you can hold and touch.  Throughout the tarot, pages are the cards of study, of the student, of exploring and of messengers.  They are youth, they are newness and they are innocence.  This page is learning the ways of the material world, of work, of health and money.  Importantly, they are learning by doing, because the pentacles is all about the hands on experience, about learning from mistakes and of building up those skills.

“If the Page of Pentacles is appearing in your life as a person, you can depend on them.  There may be something about this person that raises a bit of scepticism – their youth, their lack of experience, perhaps their very sheltered life.  Regardless of that, their wish to apply themselves and make up for these deficits is real, and they possess the latent skills they need.”
– Michelle Tea

Wild Unknown

In the Wild Unknown Tarot, pages are called daughters, a convention I much prefer as it steps away from ideas of regal-ity and ruling and leading entire countries.  A young deer stands under a rainbow, peaked by a pentacle.  Like the RWS and pagan cats page, the deer isn’t in motion, she has paused and has a contemplativeness to her.  Despite her youth and her unsteady legs, she is ready to meet the world.  The use of a young deer reflects the child like way in which this deer explores and appreciates what’s around her.  She is discovering and learning for the joy of doing so, she is curious and interested and wants to get out there and do stuff.  Even though she’s depicted standing still, this little deer won’t stay still for too long.  The rainbow over her head reflects her innocence, her optimism but as an earth card, we know there is a practical side to her.

She doesn’t expect the world to be all rainbows and unicorns.  She knows she’ll have to put in the work, turn up on time and see things through.  She will be reliable and trustworthy, practical and responsible but it is exactly these traits that will help her get where she wants to go.

Lumina Tarot

Here we find the maiden of pentacles instead of page or daughter!  This seems to be the most variation I’ve had on any card I’ve written about!  A young woman is sitting with her legs underneath her, a loose dress draped around her, her neck and chest mostly exposed.  Her cupped hands are releasing flowers and her head is lifted skywards.  Just behind her, a young looking bear rests with a pentacle on its forehead.  The green of the card gives the scene a fresh, peaceful kind of feel.

The associated book says of the card: field of blossoming dreams and inspiration.  And just knowing that, we get such a different vibe from this card that we have with the others we’ve looked at so far.  The book goes on to discuss the manifesting of desires and visions into reality, birthing and nurturing projects, exploring ideas.  Whilst you may feel excited and want to share all of these, remember that they are young, like the maiden, and need nourishing and protecting whilst they grow.

“You may have just come out of a winter period or time of introspection, and can now feel the stirring seeds of a project which requires exploration and energy.”

This echoes ideas I discussed when looking at bears; there is a time for thinking and a time for acting.  And action is something that is crucial in our understanding of the maiden of pentacles.  She is not just about pretty ideas and nice daydreams, she is about putting the work in and doing, not just imagining doing something.  To turn potential into abundance requires you to act, to put one foot in front of another and to keep moving, slowly and steadily, forward.

Animal Totem Tarot

I will be looking at this card in more detail when I consider the alpaca, but for now, the message of the alpaca is:

“My mother says that all great things once started off wee, that small is not the opposite of large – it is the beginning.  I know that I am not big enough yet to be of any real benefit, but over time I will become worth my weight in gold.  Never think something is too small to be worth your time and effort, for you just never know what huge miracle it could unlock once it has reached full potential.”

I like this take on the page of pentacles.  It ties in with what the lumina tarot is saying about taking little steps, slowly but surely and however small an action may seem, it can help you towards your goal.  Returning to the idea of this card as student, we are all, always a student of something, none of us are masters of everything.  Do not let this put you off trying something and do not expect to be able to do new things the first time you try.  You cannot go from never running anywhere to completing a marathon without practice and planning and putting in the work and giving it time.  In a fast-paced world, it’s easy to think we should be able to understand and do everything, for ourselves, instantly.  But then we wouldn’t have professionals and experts.  They become experts because they have spent time learning and working in that field and there are somethings that only come from experience, that you can never be taught or told.

Note that the alpaca is standing to one side of the pentacle and away from the baskets of wool, she knows that she’s not reached that stage yet and she is happy regardless.  She knows that as she grows and learns and experiences, she will make steps towards the pentacle and towards producing the lovely wool that alpacas are known for.

Each card in this deck comes with some journal prompts and for the alpaca, one of these is what gifts are you learning to grow into?

Our Tarot

I’ve not written about this deck yet and it’s very different to my others but I loved the premise.  I’ve not really used it yet so am not that familiar with the nuances but the basic idea is that each card features a collaged image of an historical woman.  For the page of pentacles, this is Mary Lou Williams, not someone I knew before but that is in essence an important part of the deck – to raise awareness of overlooked women who’ve made important contributions to the world.

Keywords for this card include: manifesting, learning, material opportunity, collaboration

Mary Lou Williams was a self taught, very gifted pianist who was born in 1910 and was playing by the age of three…!  Despite her innate talent, her gender stood in her way, holding her back from joining a band until the bandleader could be convinced to have a woman play.  Regardless, she continued to play and work in the music industry, recording national hits, playing numerous gigs and producing music for other bands.  She formed a record label and established a jazz festival as well as teaching at Duke University.

She had grown up in a struggling family with lots of other children and not that much money but regardless, she had seized upon, and created, opportunities, such as when at age 6 she began playing piano at parties.  Where some depictions of the page of pentacles are about actually taking opportunities, this version is much more about seeking them out and spotting them, even when they are in unusual places.  There’s also an element here of not letting convention stop you, don’t let others tell you it’s not appropriate or not right for you to pursue your passions.  If there’s something you love doing, do it.  Do it for the pleasure of doing it.  Do it because you love it, not because of what money or status it’ll bring you.

“The page of pentacles encourages you to seek inspiration in your surroundings without being afraid to ask for help.  How can you share your gifts and skills with others?  What work do you find yourself most drawn towards?”
– Our Tarot

The aspect of collaboration – performing with others, writing songs for others, producing music etc – is one I really like with this card.  One of the things I love is learning with other people, you bounce ideas and thoughts off each other and deepen your understanding of the topic.  I am also a big fan of merging subjects together, sort of making the topics collaborate as it were.  When it comes to art, I have almost always engaged in mixed media, long before I knew it had a name.  I love taking different strands, different threads and weaving them together, whether literally or in this case when I’m learning and sharing that knowledge.

As a very much aside, Mary Lou wrote a set of songs called the zodiac suite and as the Page of Pentacles is associated with Capricorn, I thought that might be interesting to listen to.

The Brady Tarot

Finally, we reach the deck which kickstarted the entire post, the Daughter of Roots from the Brady Tarot.  Again, this is a very new deck and I’ve not had chance to get to know it yet, especially because I keep drawing the same card over and over!

On this card we have another bear! As well as a woodpecker (I’m going to be doing a woodpecker post at some point in the future).  The book echoes a lot of what we’ve already seen:

“A student, either literally, or someone who likes to study and is fascinated by new things, new ideas or knowledge, without much concern for how to apply or use them.  Though this study will likely involve commitment and hard work, the impetus does not come from the expected rewards but rather the joy of learning and the inner spirit of the subject.”

This is me down to the letter.  I love learning and I do so because of an innate curiosity, a need to know rather than because I have to or because I want to do something with the knowledge.  It is the experience, the fascinating discovery, that matters, not the outcome.  Specifically, this version of the page of pentacles, is inviting us to dive into the mysteries of life, to study those things which are less obvious at first glance, to look deeper, such as you do when you step into the world of tarot.

The bear seems almost to be watching the woodpecker, who is perhaps weaving the lattice of branches, with wonder and admiration.

Even though the bear is in a tree, there is something about it that feels very grounded, despite being half on and half off, the bear seems to be at one with the tree.  I also feel like the roots, echoing the lattice work, are a reminder to both go deeper, but also to remain down to earth.  The back leg of the bear dangles towards the ground, almost instinctively drawn to stay steady.

Canary

I’ll be honest, I don’t know much about canaries…  As a pet bird, much of what I found out about them was related to breeding and pet keeping…And whilst I love the animal allies deck, this card feels a bit out of place to me although that could be because I’m living in the UK and the creator is over in America, maybe it makes more sense over the water…  As such, this post is going to be considerably shorter than the rest.  If you have ideas and suggestions about how else I could feel into this, please comment!

Anyway, being a bird, the canary is associated with air and flight and freedom and the air suit in tarot is about the mind and communication so I’m going to lean into the idea of the song with this card.  In this way, I am reminded of the nightingale card from the wild unknown deck.

According to that font of knowledge that is Wikipedia, Canary originally referred to the island of Gran Canaria on the west coast of Africa, and the group of surrounding islands.  Just in case you wanted to unpick that particular chicken and egg scenario.

Canaries are small birds which are apparently very active and very sweet.  The males sing beautiful songs and remind us of the healing power of both singing and of music.  Speak and sing your truth, use your words to soothe and comfort.  Express yourself!

The other canary I’m familiar with is the canary in the coalmine, an advance warning of approaching disaster.  Only you know the circumstances of your life, listen to your gut and feel into what the canary has to tell you – is it here to promote healing or to foretell doom?

The symbology of yellow feels important here, not least because otherwise I’m feeling a bit stuck with this card… Yellow is the colour of the sun, of nourishment, of energy and warmth.  It is attention grabbing and colour psychology says that it makes us feel hopeful.

But yellow is contrary.  It is associated with cowardice in some parts of the world and courage in others.  It is used as a symbol of life but was also used as a marker of potential death in WW2 in the yellow stars that Jews were forced to wear.  Yellow is said to bring mental clarity but also agitation and anxiety.

This contrariness reflects the difference between the canary that sings for joy and the canary that no longer sings because they have been poisoned in the mine…

And I’m sorry, but for now, that’s all I have on this little yellow bird..  Please comment if you have anything to add!