Beyond the fairytale forest

Of course, forests don’t just feature in fairy tales, we find them in nursery rhymes, poems, stories and folklore.  We have trees as metaphors, trees as symbols and trees with deeply embedded beliefs.

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Trees as metaphors and symbols

Perhaps the most obvious tree metaphor is not being able to see the wood for the trees, but we also have family trees and deadwood and branches of study.  As well as all the other plant metaphors.  Not quite trees, but we have hedgefunds and we have leaflets.  We have the tree of the world, the tree of life and the tree of knowledge in some form in most cultures. We have holly trees, ivy and fir trees to represent Christmas and tree hugging needs no explanation as a representation of environmentalism.

Trees have made it into sayings and proverbs throughout the world.

“Though a tree grows so high, the falling leaves return to the root.”

–  Malay proverb

“A tree falls the way it leans.”

Bulgarian proverb

“A seed hidden in the heart of an apple is an orchard invisible.”

Welsh proverb

“To Plant a Garden is to Believe in Tomorrow”
– Audrey Hepburn

From a folklore perspective, we find trees as wise advisers, as teachers, as storytellers as well as gateways to other worlds.  In Germany, it was said that babies came from hollow trees and elsewhere holes in trees were thought to be doorways to the spirit world.  In some African cultures, trees can be seen as a connection between man and god.  Trees are often markers and a number of traditions respect the trees as “standing people” who can offer help and to whom offerings are made.

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The Tree Ogham is an ancient druidic system of tree lore which is thought to have been used as a form of written communication.  Each symbol is linked to a tree and contains within it a wealth of knowledge.   For more about individual trees, or to get a sense of the wealth of information held in folklore about different species, have a look at my plant spirit posts.  My tree oracle cards also give an idea of the depth of symbolic meaning you can find in trees.

Trees in literature

From Enid Blyton’s The Magic Faraway Tree through to The Day of the Triffids, trees are found in books and stories.  Sometimes they are settings, sometimes characters, sometimes symbolic.  In the legends of Arthur, Merlin is turned into a tree, a way of imprisoning a character by limiting their movement.  Lord of the Rings has a cast of trees as does the land of Oz.

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Forests are often used, as in fairytales, to denote a dark, chaotic place, such as the forests which surround Dracula’s home and in Dante’s inferno.  There are the forests of Macbeth and A Midsummer Night’s Dream.  In her Wonderland travels, Alice finds herself in a forest.  Forests are  home to the Gruffalo and in the Wind in the Willows, the forest is a terrifying place to be avoided.  And where would Robin Hood have been without a forest to hide in?!

Of course, not all forests are malevolent, there is the much friendlier 100 acre wood, home of winnie the pooh where the bear himself resides in a tree and his little friend piglet lives in an oak.  And Enid Blyton’s Faraway Tree is magical and filled with interesting characters.

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It is not just that forests feature in literature, it is that some of these tales would not be the same without the forest.  There would be no testing ground, no space for initiation, no tricky challenge to overcome.  There would be nowhere to hide from adult eyes and nowhere to be explored and conquered.  For forests hide secrets and forests make it easy to hide in a way that most landscapes, with horizons that stretch to the clouds, do not.

We have forests in poetry across time as well as in songs.  If you go down to the woods today and I had a Little Nut Tree are just two examples of trees in nursery rhymes.  We have Tie a Yellow Ribbon Round an Old Oak Tree, Black Horse and the Cherry Tree* and of course, all of the Christmas related tree songs.

*Perhaps not the most obvious tree songs but I’m not very good at remembering song titles!

How does the state of forests today affect these stories?

Forests are changing, we’ve already seen that today’s landscape is very different to that of the past.  And how we use forests and the type of trees within them is changing.  That is to say, we are changing the very essence of the forests which are held within the tales we’ve looked at.  What does that mean for the forests and what does that mean for the stories?

On the one hand, we have the argument that the forest still permeates our arts and lives and on the other hand, the idea that as ancient woodland disappears, so too does our cultural associations with the forest.

“Enchantment can still be found in forests if you know how to look”
– Sharon blackie

“The deepwood is vanished in these islands – much indeed, had vanished before history began – but we are still haunted by the idea of it. The deepwood flourishes in our architecture, art and above all in our literature”
– Robert Macfarlane

“Many untold memories, ancient fears and dreams, popular traditions, and more recent myths and symbols are going up in the fires of deforestation”
– Robert Pogue Harrison

The nature of fairy tales and oral stories means they do change over time, but we must be careful not to lose the forest of literature altogether.  Perhaps take a moment and ponder, what does the forest mean to you?  The literal and the fiction versions.  How has one influenced the other for you?

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What do trees see?

“I find trees a source of constant wonder – the more I discover about them, the more I stand in awe… To touch the trunk of an ancient tree is to touch history.  Such trees are markers of previous generations… They are silent witnesses to our passing – a presence bigger than us, living on a different time scale”
– Christina Harrison

Trees are witness to many events.  They are there when wars are raged.  They are there when young lovers carve their initials together in a declaration of commitment.  They are there to watch when a small girl falls and grazes her knee in the park.  They are there in the churchyard when we are born, when we marry, when we die.  Trees are witness to many events, they are keepers of history, of time.

They see the squirrel scurrying up and down and back and forth.  They see the fledglings take their first brave leap, year after year.  They see the river meander past, always the same and always different.  They see the light of the day fading night after night to give way to a star scattered sky.  They see the year turn from green to red to white, again and again.

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They feel the sun on their leaves, the rip of a leaf being pulled off by a passing child.  The tug of a fruit being picked.  The scrambling feet of an earnest tree climber.  They feel the tentative first steps of a baby bird and the nest being made in the branches.  They feel the ivy and lichen growing round and over them, leeching and thieving.  They feel the cold winter wind buffeting against the bark and pushing the trunk this way and that.  The love blind carvings of two young people wounding the tree in hope of eternal romance.  They feel each pitter patter of rain crash into them and the weight of snow on branches.

They near the noise of the forest, the calls of the birds, the cracking of branches in the undergrowth.  The sounds a tree hears can make or break the tree’s day.  To a tree, the subtle difference between leaves rustling in the wind and rustling because a birds has flapped through them is fundamental. The creak and moan of a storm swaying a trunk rings loud as the chainsaw of death.  The sounds of the life which call the tree home.  The familiar owls, the sound of an unfamiliar hedgehog rustling round the roots.  The tree hears it all.

“The oaks and the pines, their brethren of the wood, have seen so many suns rise and set, so many seasons come and go, and so many generations pass into silence, that we may well wonder what ‘the story of the trees’ would be to us if they had tongues to tell it, or we ears fine enough to understand.”
– Maud van Buren

Fairytale Forests

As we saw in the history of forests, woodland has been influenced by humans for many a year.  Indeed, whilst many refer to the great time of a forested England, in reality, by 1086 only 15% remained wooded.  This decimation of our forests would have an important psychological impact on our cultures.

When forests were much more widespread, there was a familiarity with them that started to disappear.  People were living in villages, towns and cities and the way of life was no longer connected with the trees for most people.  This detachment would have a profound impact on our literature.

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Enter the enchanted forest, the fairy tale wood.  A non specific place but one which we are all familiar with.

“The mysterious secrets and silences, gifts and perils of the forest are both the background to and the source of these tales”
– Sara Maitland

Crossing into the forest

From a practical perspective, travelling, back in the day of fairy tales, often involved going into a forest.  When you enter a forest, you are traversing a barrier, crossing a line, moving from civilisation to wilderness.  You are entering a different realm.  Whilst individual trees in fairy tales tend to be positive characters (in the grimm’s version, cinderalla has a tree which grants her wishes) a wood full of trees may not be…

A forest is darker and colder; this is a different place, a more sinister place.  You step from the wide open fields with many choices about how you pass through them into the wood with its designated paths and a sense of something ominous that keeps you to them.  You cannot see ahead of you, there are twists and turns and crooked paths and unexpected surprises, be they good or bad.

Dangers

And dangers there are.  There is the danger of getting lost in this dense environment where you cannot see the sky and you cannot see the horizon.  They are chaotic places with twists and turns and none of the orderliness of civilisation.  If it’s that easy to get lost, then it’s also easy for danger to hide.  There are wild and violent creatures – wolves, bears, werewolves, witches, felons and outlaws – all just waiting for you to come along and, in most cases, you will be eaten!  Think Hansel and Gretel, Little Red Riding Hood.

The ease with which these beings can hide also suggests elements of secrecy, disguise and distortion.  The forest can hide things from you and show you things which are not there.  It conceals and deceives.

The forest of the fairy tale is often a reflection of the character’s inner self, but even if it’s not, forests are places which remind us that we too are animals.  We are closer to beast in the midst of the woods.

Retreat

“Of course you can get lost in the forest, but you can also hide in the forest… Forests are good places to hide.  Slip away between the trees, lurk in the greenwood, vanish into the thickets of wild wood: step outside the laws that bind you to the present and you become the out law”
– Sara Maitland

Why would you retreat into the forest?  Well you might step in on an errand as with little red riding hood, but you might also be running away from something much worse.  Often in fairy tales, this is an abusive family or situation…

For some characters, this retreat into the forest is the start of a reclamation of their power.  Or for younger heroes and heroines, a journey which sees them stepping into their personal power.

This place outside of adults creates an opportunity for children to step up to responsibility and to test themselves and their skills.  This is also seen in more recent literature such as the adventure stories of swallows and amazons and other tales of self-sufficient children.

“Forests became the pure place of primal innocence where children could escape from their adults, get away from the order and discipline of straight roads and good governance, and revert to their animal origins”
– Sara Maitland

Abandonment

Of course, not all characters enter the woods willingly.  We have Snow White who is abandoned by the huntsman who is supposed to kill her, we have Rapunzel who is locked in a tower in a forest as well as Hansel and Gretel and Sleeping Beauty who is hidden away in the forest.  Here the forest as savage and uncivilised is more prominent.  These children have literally been left in the wild by people who are supposed to love them, how much further can you get from civilisation?

Even in those stories where abandonment isn’t a feature, there is a sense of the character feeling abandoned when they get lost or lose their sense of self.  There is nothing that can be relied on in the dark, wild forests.  Civilisation itself has abandoned you.

Transformation

Within the forest, magic happens.  Whilst this might involve a witch or an enchanted tree, it can also be that marvellously mortal type of magic that transforms who you are and what you think.

With the forest as a metaphor for feeling lost, for depression and anxiety, characters can use their time to find their way, to find ways of seeing the future and ways back to who they truly are.  In the dark, tangled woods, where you can’t see the sky or the edges, you can be sure to see your authentic self.  So long as you keep going and face the challenges which come your way.  They will be hard, but they are not insurmountable.  The hero or heroine never die in the forest.  It is not a destination, it is a part of your journey.

In the forest, you may find you have to veer from the path, or discover you have lost the path, in order to find your own, unique way through.  You will face tests and trials as well as the horrors and dangers of the woods.  But this is a liminal state.  This is the space you need to grow, to become wiser and stronger and to build yourself back up to all the wonder of your true self.

“Coming to terms with the forest, surviving its terrors, utilising its gifts and gaining its help is the way to ‘happy ever after’
– Sarah Maitland

The type of challenges you face in a forest, tend not to be life threatening ones.  Instead they are the sort which stretches you and shapes you and requires you to put in work to get through them.  In England where we have no wild animals to kill you, the real threats of a forest are few.  But instead, you face horrible things which help to teach you how to cope and that you can cope.  That you will get through tough situations and you will come out a better person for it.  They build resilience.  And our stories of these forests remind us all that “intelligence and knowledge and love allow a person to overcome the worst disasters and be better off for it” (Sara Maitland).

“It is where you travel to find yourself, often, paradoxically, by getting lost.”
– Roger Deakin

Often, characters get lost in fairy tale forests and this aides the narrative by reflecting their internal state.  The heroines or heroes are untangling their own secret selves whilst also untangling the secrets of the forest.  And they leave the forest with a strong sense of self and truth and a sense of a path forward.

Within the framework of looking at universal archetypes, Jungian scholars have posed the fairy tale forest as both a place of trials, as we’ve discussed, but also a place for retreat, reflection and healing.  When discussing the tale of the handless maiden, Jungian scholar Marie Louise von Franz says:

“She has to go into deep introversion…. The forest [is] the place of unconventional inner life, in the deepest sense of the word.”

Sharon Blackie echoes this duality when she says:

“to enter into any wood is to enter into a realm in which transformation seems inevitable; the particular brand of transformation you’re heading for depends heavily on the nature of the wood.” 

She goes onto explain how the woods of northern Europe, often shadowy, dark, dangerous places represent a world outside of human experience, the world where there are witches and monsters and wolves.  Whereas the lighter, broad leaf forests allow more light in and tend to be settings for fairies and enchantment instead.

Perhaps the forest is also a reminder that there is space for reflection and enchantment even in the darker places.  That there, in the forest filled with fear, the light of your own magic shines brighter and stronger.

Another common theme of transformation is that of coming of age, the forest as part of an initiation into adulthood but I think I’ve already written more than enough for now… Perhaps I shall revisit this topic again one day…

Further reading

There is so much more reading that you can do but I’m going to include a few links to different forest based fairytales which come with interesting commentary and I highly recommend Sara Maitland’s Gossip from the Forest.

A history of forests

Despite individual trees bearing their own map of history, it is hard to find out much about the history of forests.  It isn’t clear whether an old tree is the remnants of an old forest or whether it stood alone for a long period. What we do know is that the forests of England have changed a lot over time.

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10,00 years ago – Following the ice age, forests of birch raced northwards, chasing the retreating glaciers.  Pine and hazel followed, then oak, alder and lime, then elm and ash.  And whilst we might think of oak as the quintessential English forest tree, it was lime which dominated.

9600 – 4000 BC – Mesolithic people cut trees down for boat building. Around 7000BC holly, maple, hornbeam and beech arrived in southern Britain, just before the land link to Europe disappeared and turned Britain into an island.

4000 – 2300 BC – Neolithic people cut trees down to make room for farming

2300BC – AD 43 In the Bronze Age and the Iron Age, fire was increasingly important as a means of creating, not just for warmth and cooking.  The Iron Age people also had better equipment for farming which meant more land could be cultivated and used for grazing.  This meant trees were felled and forests were converted to arable land.

43AD – By the time the Romans made it to Britain, over half of the trees had already been cut down.

43AD onwards:

A Roman historian from the 1st and 2nd century wrote that the druid grove was “the centre of their whole religion.  It is regarded as the cradle of the race and the dwelling place of the supreme god to whom all things are subject and obedient”.  For the druids, trees were holy and venerated, sacred and respected.

“There is one long stretch where the big trees have been protected and saved – like a completely primeval forest.  Everything from the big ferns at the base of the trees, then dense undergrowth, the long enormous shafts towering endlessly in shadow penetrated here and there by light.  A most moving place – like a cathedral”
– Thomas Merton

As Christianity came along, these places were increasingly considered to be part of old religions and at odds with the new beliefs.  Fragments of old tree deities would seep through in the form of evil spirits.  Forests and the church would battle against each other with the forests representing the last strongholds of the old religion and acting as a retreat from a church dominated world.  As we’ve seen over and over again, this tends to result in the the symbol of the old ways being persecuted and tarred with associations with the devil and demons.

With the arrival of William the Conquerer, came the Forest Law.  This proclaimed that any land the crown fancied could basically be theirs.  Primarily the woodlands claimed were for hunting and made it off limits to everyone else.  Allegedly if you were caught stealing or killing from the forest, your punishment could include mutilation, including the removal of your eyes and other unmentionable parts.

Whilst this did of course cause a lot of trouble, it did protect areas of ancient woodland from agriculture.  And it provided a space where, as Sara Maitland puts it, “the illegal could become the heroic”.  To resist the forest law wasn’t going to cause harm to your neighbours but was instead a crime against the institution.

In the middle ages, villages and towns ate away at the forest and timber was used for fuel in the home but also in almost every industry – building, rope making, as fuel for furnaces etc.  Forests were being portrayed in literature as places which harboured secrets and dangers, overgrown and unkempt.  Wild places.  Places of the unconscious.

“As the loss of trees mounted, the forests receded into the human unconsciousness, only to be revealed through artistic expression”
– Tim Wenzell

In 1717, John Manwood noted that “the woods were, by degrees, destroyed, especially near houses… wild beasts retired to those woods which were left standing, and which were remote.”  Because of their distance from mainstream society, forests became places were outcasts went to live, those who were persecuted such as people with mental illness and disability.  The forest was a place outside the law, outside of civilisation.

By the romantic era, the idea of nature at odds with the church and hence problematic, had started to change.  As we see in poetry of the age, nature was being revered and admired, but the forest remained mostly untouched.  Writing focused on fields and streams and flowers whereas the forest was a place to be tamed in order to fuel the industrialisation of the day.

By 1905, forests and woods covered just 5.2% of England, compared to 15% in 1086.  And this would pose a problem.  The first world war saw an increased need for timber for ships and England had come to rely heavily on imports.  The second world war and increasing development and suburban growth has impacted further on forests.

However, forest management and plantations mean that today we are seeing changes.  In 2011, the International Year of Forests, a report from the Woodland Trust said that England had 9.9% cover.  Whilst this is low globally, it is a large increase from 1905.

Whilst a history of forests might seem a strange topic, it is an interesting lens through which to consider history and it is important in shaping our thoughts and feelings about forests which in turn shape our stories, the focus of next time!

What is a forest?

Straightforward question, yes?  Well, according to Wikipedia, there isn’t a universally accepted definition.

“The unconscious wood has a long moment of perfect clarity at dawn, and from being dark and confused, lit from the east it is all clarity, all distinct, seen to be a place of silence and peace with it’s own order in disorder – the fallen trees don’t matter, they are all part of it.”
– Thomas Merton

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So, instinctively we think we know what a forest is, it’s just a group of trees right?  Well, it’s much more than that.  It’s a community of trees and other organisms which interact within a complex web of relationships as we’ve seen.  Forests cover about a third of the earth’s land and are home to many of the world’s organisms.  They are found in a myriad of climates, there are rainforests, arboreal forests and so on.

There are also different categories.  In the UK, there are considered to be three types of woodland:

  • Primary woodland – existed continuously since last age
  • Secondary woodland – was previously unwooded but reverted back
  • Plantations – deliberately planted

Ancient woodland, that is land which has been continuously wooded since 1600, now makes up just 2% of the UK.  And these ancient trees are home to many specialised species.  The trees tend to be hollowed out by fungi which creates a steady temperature and humidity level within the tree allowing rare species to live there.

Forests, like plants in general, are critical to human existence.  We came from trees and we rely on them.  They influence weather and climate, act as huge carbon sinks, produce 60% of the world’s oxygen and filter dust and harmful bacteria out of the air we breathe.  Forests lead to increased soil fertility, they hold the soil in place, they provide shade and moderate the wind.  They offer protection from avalanches, they reduce noise and they are home to many important species.

Inside a forest, temperatures are often a little cooler but they are always steadier, there is lower fluctuation within a forest.  But here I am talking about forests as if they were homogeneous estates.  All forests are different and within each forest are layers of specialised habitats.

Canopy – Here, the tallest trees eg oak, ash and beech reach up with long branches and leaves.  We know very little about life in the canopy as many of them remain unexplored.  However, we do know that the canopy layer plays and important role in forest life.  They affect the weather in the forests, they contribute to nutrient cycling and provide habitat for plants and animals including birds and insects and some mammals.

Sunlight and rain reach the canopy before any other part of the forest making it potential warmer and wetter than below, although the rain is not trapped in the canopy layer as it is further down so it’s less humid than the forest beneath.  The canopy, as well as increasing humidity, also blocks light and wind from reaching the forest floor affecting the microclimate of the entire forest and thus what can thrive there.

Understory – Just beneath the canopy are the tops of shorter trees and shrubs which can survive with less light eg hawthorn and hazel.  This layer of forest tends to be more humid than the rest and so it doesn’t dry out as easily.  These conditions are great for ferns, mosses and fungi which flourish here.  Again, in terms of animals, we’re looking at birds, insects and some mammals.

Herb/field layer – This is where we find the ferns, grasses and flowering plants which cover the forest floor.  These plants tend to bloom in early spring so that they can utilise the sunlight before the trees grow their leaves and the canopy makes the forest darker.  Here we also find herbivores which eat the plants, such as rabbits, and creatures which eat the herbivores, such as foxes.

Ground layer – This layer is full of dead matter such as rotting leaves and fallen branches.  It is also home to fungi and a variety of insects which help the decomposition process.  This releases nutrients into the soil which the trees and other plants take up.  It is where we find spiders and beetles and ants, hiding in the dark forest floor.

The forest floor acts as a bridge between the life above ground and the live below ground.  Without the important nutrient cycling which occurs on top of the soil, the forest would have little food and hence little life.

Underground – There is also an underground layer to the forest where roots compete and worms and moles churn through the soil.  Badgers and other mammals dig their dens into this layer.

Forests are busy places which are always active, day and night, all year round.  They are complex and intricate, they are inspiring and captivating.  As we’ll see over the next few days, forests are integral to our culture as well as our survival.  They are places of solitude, places of fear, places of restoration and places to hide.

Tree relationships

“Old growth forests like Broceliande, whether enchanted or not, are complex, diverse ecosystems which seem to embody the idea of balance and harmony”
– Sharon Blackie

Trees, even those to appear to stand solitary, are never alone.  They are a hive of activity filled with a city of residents and passers through.  There are birds, mammals, insects and fungi, all of whom have intricate, intimate relationships with that tree.

Trees have mutualistic relationships with bacteria, fungi and animals.  Trees orchestrate other lifeforms and shape the very environment they live in.

For the birds, the tree is a source of food, a shelter, a place to raise your young and a nursery and play area.  For mammals, the tree can be sanctuary, a place to hide from the rain.  For insects, the tree is pollen and leaves, as well as home.  For fungi, the tree is part of an amazing web.

This amazing, hidden connection is fascinating.  Trees and fungi have a symbiotic relationship where the fungi connects the trees together.  The trees can then use the fungi to direct resources from thriving trees to those which are more vulnerable, especially in the case of related plants.  This underground web turns a collection of trees into a complex super organism which maximises resources and allows for communication between certain species.  For example, pines can transfer carbon to other pines.

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These fungi mats are the largest biological entities in the world and some cover 20,000 acres.  They surround and penetrate the roots of grasses, shrubs and trees.  They expand the absorption zone 10-100 times and help plants in their quest for water.  Their work also increases the holding capacity for the soil.  Without them, disease increases, diversity of insects, birds, mammals and plants decreases, humidity falls and the now exposed soils blow away causing desertification.

The paradox of competition and cooperation

Despite playing such an important and cooperative role to so many species, trees spend their entire life in competition.  They are competing with other trees and other plants for water, nutrients, light and space.  And whilst they are doing this, they are also battling the cold, the heat, drought and floor, toxins, parasites and predators.

To cope with these challenges, over time they have developed more and more elaborate ways of surviving and reproducing.  For example, for every one of the 750 species of fig, there is a specialist wasp to pollinate it.  Evergreen trees have needle shaped leaves with a waxy layer to reduce the amount of water loss in the winter.  Deciduous trees drop their leaves for the same reason.

Whilst I’ve only looked at the forest ecosystem from a trees perspective, and haven’t even covered that comprehensively, I hope you can see that a tree is not simply a tree.  A tree is a complex web of relationships and interactions, and a forest is a megacity of organisms, some working together, some competing.  It’s easy to think that a forest is just a group of trees but this is far from the case.

Trees

I’ve already done a lot of creative work around trees.  In 2016 I chose trees as my year long art focus and I blogged about aspects of that.  As part of this, I created my own tree themed deck of oracle cards which I think speaks volumes about the symbolic gold there is to find when it comes to trees.

I have also written a few plant spirit posts about particular trees and also trees which have been important in my life.

There are approx. 100,000 species of trees which we identify by looking at their leaves, tree shape, bark, bud and flowers, fruits and seeds.  There are native and non native, coniferous and deciduous, tall and small and all have their own marvellous qualities and associations.  For example, Oak, quercus robur, means strength.

“Be like a tree and let the dead leaves drop”
– rumi

We find trees scattered throughout our language.  We have family trees, we have tree hugging, we can’t see the wood for the trees.  We have trees which commemorate, we have trees which are engraved with long dead relationships.  We have trees which act as landmarks.  We have witness trees and trees in place names.

Trees inspire and shelter, they are majestic and wise, reliable and reassuring, a solid presence throughout a human lifespan.

They are habitats and food, with their own complex web of predators and pests, parasites and symbiotic relationships.  They are layers of life, rings of the years, memory keepers, teachers.

“Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life.

A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.”
– Hermann Hesse

6 of cups

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In the wild unknown tarot, the six of cups is depicted with a tree.  As with other examples I’ve discussed, this is one case where the wild unknown card feels so much more poignant to me than other decks.

In a lot of tarot decks, the six of cups is about childhood, nostalgia, naïve happiness, and generosity but this has never been a meaning that has chimed with me.  Instead I choose to look at it from a different perspective, asking myself what fuels me, what brings me to life, what grounds me.  If you look at the image of the tree with it’s multi coloured roots, you’ll hopefully get a sense of what I mean.  Where other people look to childhood memories to make them happy, I chose to look at anything which makes me happy, which feeds my soul.

“Storms make trees take deeper roots”
– Dolly Parton

In order to stay strong and to thrive in this world, you need to pay attention to your roots.  Dig deep, ground yourself and nourish the very core of your wonderful self.

There is also an aspect of balance in the 6 of cups – the outer world of the tree mirrors the inner world of the roots.  This reminds me strongly of the bear animal spirit card and the idea that there is a time for everything, but no time can be a time for everything.  A link I’ve shared quite a bit is one to Terri Windling’s blog post about bears and it feels so relevant here.

For [Terry Tempest] Williams, the bear embodies “opposing views, that we can be both fierce and compassionate at once. The bear is above ground in spring and summer and below ground, hibernating, in fall and winter — and she emerges with young by her side.

The winter months have always been a challenge for me. I love sunshine, dry weather and warmth… now, however, I am learning to appreciate winter’s stark gifts: it slows me down, turns my thoughts inward, keeps me closer to hearth and home, strengthening the introverted side of my nature, without which I couldn’t write or paint. I am learning at last to follow the bear; to trust in the process of hibernation and gestation. I am learning patience. Slowness. Stillness.

All things have their season. And spring always comes.

– Terri Wilding