“Mountains and disabled people have something in common, they both get stereotyped as inspirational”
– Elizabeth A Wheeler
On the whole, the ideal nature person fits into the wilderness ideal which I will come on to but first I wanted to mention the one image of a disabled person in nature, and that is the supercrip. Supercrip stories tend to be about an individual overcoming their disability through hard work and perseverance in order to do something spectacular. There is a sense of transcending not just nature but the body itself. This is a person who ‘overcomes’ their disability in order to scale a mountain or someone who uses a wheelchair but skis. These people are often the exception and whilst what they do is great, it can’t be the only vision of disability within nature thinking.
Back to the typical wilderness ideal though… There is a particular body type – white, male, fit, ablebodied – who can have the elite, transcendental experience and be a bona fida naturalist. Having this ideal means you have created the opposition, the person who is not welcome in nature.
Alison Kafer explains that there are “complicated histories of who is granted permission to enter nature, where nature is said to reside, how one must move in order to get there, and how one will interact with nature once one arrives in it”. Additionally, not only do you need to be in the wilderness, but you should be alone and off any tracks or trails. And people who can do so are generally cast as better nature people.
As the disabled person has been cast as the antithesis to the wilderness ideal, there are no images of disabled people in nature, let alone a stereotyped image of a ‘normal’ disabled person within nature. This absence is referred to by Jaquette Ray as the “disability-equals-alienation-from-nature trope” in her writing. She finds “the only place for the disabled body in the wilderness ideal is as an invisible, looming threat – symbolic rather than actual”.
It seems to me like there is a hierarchy of moral superiority with the wilderness ideal at the pinnacle of the mountain and disabled bodies at the base, unable to climb up unless they happen to fit the supercrip model.
I have a separate post planned about ableism within the environmental movement and will expand on this idea of moral superiority in that context but as a way of seeing this in action, think about this:
There is a hierarchy of species that you interact with as well as where you interact with them. To see a rare plant or rare creature comes with more status, as do megafauna and exotic species. This by default means that connections with more common species is seen as lesser, especially if you interact with them outside the wilderness.
Within the wilderness ideal trope, we find the narrative of technology as an antithesis to a good experience. We are told to leave tech behind in order to have a more embodied experience, one that is more about presence but this ignores the value of tech. Technology allows electric wheelchairs and other mobility aids to experience the world, phones include apps that enhance the experience and provide a safety net for those of us who cannot be alone without backup on hand.
Writer Edward Abbey took this rejection of technology to the extreme and positioned electric wheelchairs with cars, and both as alienating us from nature and the wilderness. He pressed the issue by telling people to get out of their electric wheelchairs and that unless one walks, one cannot experience nature. The only way to know nature is to move through it on foot. Whilst Desert Solitaire: A Season in the Wilderness was published in 1968, the thinking is still very present in many people’s minds.
Extending this narrative to nature writing, we are told that writing with pencil and paper is somehow better than writing on a computer or speaking into a dictaphone. Again, this way of thinking pushes writers with disabilities out of the picture, assuming we even managed to get into the scenic nature photograph in the first place…
“There is a long tradition in ecological writing that defines people with disabilities as the opposite of environmentalists.”
Much nature writing is first person and may touch on a bit of health but often as something to overcome either through nature or so one can return to nature. Often it is a short term condition, or one at least that can be managed well. It might be cancer or depression and this isn’t to make light of those serious conditions but there is a difference between something you can recover from and having a chronic, long term health issue or disability.
“First person nature encounter narratives generally focus on the interaction between one specific body and one specific landscape. A narrow focus can eclipse the possibility of other body types and other landscapes.”
Many nature writers talk of the personal transformation or spiritual experiences that comes when you are alone in the wild or having reached the summit of a mountain, something clearly not accessible to everyone, disabled or not.
“As ecopoetics has become established, certain practices and expectations of ecopoetic process and content have also become established. These predominantly presuppose able-bodied practitioners, who can conduct energetic field work and outdoor workshops, focusing on walking, running or swimming as both poetic process and means of connection with the wider ecosystem.”
– Polly Atkin
Miranda Cichy said that “a lot of nature writers seem to believe that you have to go our alone and on foot in order to write about it.” But this doesn’t have to be the case. A genre needs many voices, many perspectives and disabled people can add their own experience.
“The love of nature does not require specific bodily abilities.”
I have written about my own way of interacting with nature and I do hope some of the examples I’ve given help other people to feel inspired and to value their own experiences, even or especially when they differ from the norm. Kafer affirms that “the experience of illness and disability presents alternative ways of understanding ourselves in relation to the environment.”
I wanted to end with some quotes that I find inspiring and that validate my way of interacting with nature and encourage me to share the way I see the world.
“Waiting to be discovered is a wildness which is smaller, darker, more complex and interesting, not a place to stride over but a force requiring constant negotiation.”
– Kathleen Jamie
“Dominant stereotypes and ableist narratives tend to overlook the richly textured ways in which people may experience nature; not to master it or to overcome impairment but rather to ground oneself in the world, to know and feel part of nature.”
“Nature writing has created this image of environmentalist as white guy who goes out into the wilderness… but there have always been culturally diverse writers and women writing about the natural world as well, bring other ways of seeing this human-nature connection – not nature as a remote place to recreate in tranquillity, but nature as a place intimately connected to human habitation, culture and identity.”
– Melissa Tuckey
“Did you hear about the rose that grew
from a crack in the concrete?
Proving nature’s laws wrong it
learned to walk without having feet.”
– Tupac Shakur
- Disability Studies and the Environmental Humanities, edited by Sarah Jaquette Ray and Jay Sibara
- Don’t climb every mountain – Elizabeth A Wheeler
- Why is it always a poem is a walk? – Polly Atkin
- Experiencing nature with sight impairment: seeking freedom from ableism – Sarah L Bell
- Invisible barriers – John Muir Trust
- Feminist, Queer, Crip – Alison Kafer
- Toward a Wider View of “Nature Writing” – Catherine Buni
Within her essay, Atkin mentions a few ecocrip writings:
- Many are included in the Magma Climate Change issue
- The Girl Who Forgets How to Walk, by Kate Davis
- Dear Body, by Hannah Hodgson
I’ve just bought all three so maybe that’ll be the basis of a future blog post.